You stopped partway through this chapter.
Chapter Three: The Storm Rank
The trust’s letter arrived on a Thursday in February, and Julian brought it up to the loft himself rather than emailing it, which told Nell everything she needed to know about how bad it was before she’d read a word.
*In light of revised cost projections*, it said, in the specific bloodless prose that institutions used when they wanted a decision to sound inevitable, *the board will convene on the fourteenth of March to determine the future direction of the St. Osyth’s organ restoration. Ms. Kerrigan’s interim report is requested no later than the seventh.*
“They want the electronic option costed properly,” Julian said. He was standing too close to the reservoir, arms crossed, in the stance she’d learned meant he was bracing for an argument he’d already lost somewhere else, in some room she hadn’t been in. “There’s a firm in Leeds that can sample every stop we’ve got recorded and build a convincing substitute for a third of what full restoration costs. Convincing enough that ninety percent of the people who ever sit in these pews wouldn’t know the difference.”
“I’d know the difference.”
“I know you would.” He said it without heat, which was somehow worse than if he’d argued. “I’m not on their side, Nell. I’m telling you what’s coming so it doesn’t land on you sideways in three weeks.”
Outside, the weather had been building all afternoon into the kind of coastal storm that made the chapel’s old sash windows hum in their frames, and by six the electricity flickered once, decided against failing outright, and left them working by torchlight and the grey remainder of a stormlit sky instead. Nell had wanted, for days, to hear the great diapason rank — the original 1891 principals, the instrument’s actual voice, the one the electronic substitute would only ever approximate — but half the chest’s leather was still perished and she hadn’t trusted the wind supply to hold steady enough to risk it.
That night, with the storm doing half the pumping work for her through some flaw in the old bellows valve that let outside air bleed into the mechanism in gusts, she risked it anyway.
She got as far as she could down the pallet run, checking seals by torchlight, Julian at the hand pump because the blower motor had died with the second flicker, and when she finally drew the great diapason stop and struck a chord — nothing complicated, just a triad, low in the compass, the kind of chord you’d use to test a friendship as much as an instrument — the sound that came out of thirty-year silence and storm-fed wind was not clean. It cracked on the third, wavered on the fifth, carried under it all the unmistakable groan of pipework that had waited three decades to be asked a question and had almost, but not quite, forgotten how to answer.
It was also, unmistakably, magnificent, in the way that a voice cracking with disuse can be more moving than one that never faltered at all.
Julian stopped pumping. In the sudden absence of wind the chord died slowly, note by note, the smallest pipes going first, the sixteen-foot holding its low tremor longest against the storm outside as though it were arguing with the weather on principle.
“That,” he said, when it had gone entirely quiet, “is not a sound a computer samples its way into.”
“No,” Nell said. “It isn’t.”
She realized, coming down off the ladder in the dark with rain going sideways against the boarded windows, that he had crossed the loft to meet her at the bottom rung, and that there was considerably less space between them than the working relationship of the last month had established as customary, and that neither of them appeared inclined to correct it. His hand came up — not toward her face, not yet, just to steady her elbow as she stepped off the last rung onto uneven flooring — and stayed there a beat longer than the step required.
“I’m going to fight for this,” he said. “For the real one. I want you to know that before the seventh, whatever the report says.”
“Julian.” She hadn’t meant to say his name like that — like the start of a sentence she didn’t have the rest of yet — and from the way something shifted in his face, he’d heard the whole unfinished sentence anyway.
Neither of them finished it. The storm did that instead, a gust finding some gap in the boarded window with a sound like the building itself inhaling, and they stood in the dark listening to it the way you’d listen to an instrument neither of you had built and both of you, increasingly, were afraid to be without.